Two Decades, One Baton

The Demetrius Fuller effect keeps Sinfonia in tune
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Photos courtesy of Sinfonia Gulf Coast

When Sinfonia Gulf Coast raised its baton for the first time in 2005, it did so with an audacious promise: to redefine the symphony experience along Northwest Florida’s Emerald Coast. Two decades later, that promise has become a lived reality—one concert, classroom, and community connection at a time.

At the center of that vision stands Demetrius Fuller, the orchestra’s founder and music director, who was just 28 years old when he launched Sinfonia—still the only fully professional orchestra in the region. A Fort Walton Beach native and the only son in his family, the conductor grew up deeply rooted in the community he would later help transform. 

Charismatic, whip-smart, and genuinely funny, the 49-year-old arts leader is also famously impatient—a trait he readily owns. “Patience is not my strong point,” he has admitted, half-laughing, half-confessing. A classically trained musician and accomplished clarinetist, the maestro brings a performer’s ear to the podium, listening as intently as he leads.

The University of Cincinnati College–Conservatory of Music, where he earned both his bachelor’s and master’s degrees in music, provided an education that sharpened Fuller’s technical rigor and artistic range. That classical foundation continues to inform his work today, whether leading world-class soloists, commissioning new music, or shaping programs that balance innovation with tradition.

Yet his urgency—the impatience to build, elevate, and move forward—has fueled two decades of progress, propelling Sinfonia from an ambitious idea into a cultural institution.

Spend a day with this visionary, and the pace becomes immediately clear. On the day of this interview, he was juggling hosted vintner dinners, staff meetings, donor conversations, and production decisions while digesting New York showcases and exploring future event space. It is a rhythm less like a single melody and more like a counterpoint, with multiple lines moving toward the same downbeat.

That constant motion leaves little room for reflection—except when Fuller pauses to consider what it all adds up to.

“I always think about what Northwest Florida would look like had Sinfonia never been created,” he  reflects.

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Photos courtesy of Sinfonia Gulf Coast

A Symphony Is Born

Sinfonia Gulf Coast emerged from equal parts conviction and courage. In the mid-2000s, Fuller gathered a coalition of local musicians, business leaders, and arts advocates to fill a cultural void. There was no established template, just a belief that this coastal community deserved world-class orchestral music.

That belief was affirmed early. At Sinfonia’s first gala event in 2006, the “Queen of Broadway,” Bernadette Peters, took the stage—an extraordinary debut that instantly set the tone for what this orchestra would become. It was bold, aspirational, and unapologetically world-class, much like the young conductor behind it.

Redefining the Experience

From the outset, Sinfonia refused to
be bound by convention. Under this leadership, the orchestra became known for pairing classical repertoire with Broadway, jazz, pop, and genre-defying collaborations—an intentional strategy designed to welcome new audiences without compromising artistic excellence.

Over 20 years, Sinfonia has presented more than 700 concerts and events and reached more than half a million patrons. This is an extraordinary cultural footprint for a regional orchestra in Northwest Florida.

“The music that’s been written is written,” Fuller notes. “What we have the opportunity to do is expose people to new things and new ways of listening.”

That philosophy mirrors Fuller himself: culturally fluent, curious, and exacting about quality. A lover of fine food and wine—just shy of being a sommelier—he appreciates design and performance, from finely crafted programs onstage to the precision of an Armani jacket or the drive of a Porsche. 

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Photos courtesy of Sinfonia Gulf Coast

Moments that Matter

Among hundreds of performances, a few moments stand out—not for their scale but for their resonance.

His favorite artistic collaboration remains conducting the legendary R&B singer Roberta Flack in 2007. “There really hasn’t been another artist who was so special and incredible to work with,” Fuller says. 

Equally meaningful was a full-circle moment two decades in the making. In celebration of Sinfonia’s twentieth anniversary, Bernadette Peters returned, this time for an intimate Cabaret performance at Seagar’s Prime Steaks & Seafood. Following the performance, Fuller raised a glass of champagne from a bottle he had saved for two decades—a keepsake signed by Peters and Sinfonia’s founders after the first gala in 2006.

“I kept that bottle and said I wasn’t opening it until a milestone moment,” he recalls. “That was it.”

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Photos courtesy of Sinfonia Gulf Coast

Education at the Heart

While gala events and celebrity performances draw attention, the maestro is quick to point to education as Sinfonia’s most important work. Through Link Up, After School Beginning Strings, and other in-school programs, the orchestra has introduced orchestral music to more than 250,000 students across Okaloosa, Walton, and Bay counties.

His favorite day comes each spring at Link Up, when nearly 3,000 elementary school students fill the convention center to perform alongside the orchestra.

“The energy in that room is something that cannot be replicated,” he says. “It’s  nuclear.”

Fuller laughs easily; his laughter is bright and unguarded, like a joyful note escaping from a trumpet, especially when talking about music education.

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Photos courtesy of Sinfonia Gulf Coast

A Singular Leader in the Arts

In December 2020, Fuller took on an additional leadership role as CEO of Mattie Kelly Arts Foundation. In 2025, the organization celebrated its thirtieth anniversary, marking five years of his leadership there.

He is the only person in Northwest Florida currently leading two major arts organizations simultaneously. Beyond the region, his influence reaches nationally and internationally. Among other roles, he serves on the board of Young Concert Artists, oversees the annual Sinfonia Gulf Coast Prize, mentors emerging artists through the Grammy Awards Recording Academy, and was recently appointed to the board of the Van Cliburn International Piano Competition.

Looking Ahead

As Sinfonia Gulf Coast marks its twentieth anniversary, Fuller remains focused on what comes next: deepening classical programming, expanding education, strengthening financial sustainability, and ultimately securing a permanent performance space worthy of the orchestra’s artistic caliber.

“What matters most,” he says, “is that we’ve improved the quality of life here. That means we’ve done our job.”

Even now, this conductor leads the way he learned to play—by listening first.

Twenty years on, the baton is still moving—guided by a visionary whose innovation, restive energy, and love for music continue to set the tempo of the Emerald Coast’s cultural soul.  

Categories: Music